Wednesday, August 29, 2012

The Vocation of Father lived out in Robert Bolt's Play a Man for All Seasons


St. Thomas More is still today a much loved and admired saint by people of all beliefs. He is admired for being a virtuous man, a great statesman and the epitome of a family man. The atheist author, Robert Bolt, successfully portrayed St. Thomas More's struggle for the truth with King Hennery VIII in his play A Man For All Seasons. Bolt's presentation of the most critical moments in Moore's life demonstrates not only St. Thomas Moore the statesman, but also St. Thomas Moore the father. This paper aims to briefly outline what a Catholic Father is and explore Bolt's presentation of St. Thomas Moore as a Catholic father.

Bolt portrays St. Thomas More’s vocation as father, the head of the domestic church. In a world today that looks strikingly similar to the world of More’s day, this great saint as expressed by Bolt can be a work of encouragement. The play expresses a father who knows his role and lives out his vocation to the fullest.

“The family home is rightly called "the domestic church," a community of grace and prayer, a school of human virtues and of Christian charity.” (CCC 1666) Bolt understood that it is within this domestic church that “all members of the family exercise the priesthood of the baptized.”(CCC 1657) As a husband and father, More, lived out his vocation to the married life by looking after the physical and spiritual wellbeing of his family. The play demonstrates More as the head of his domestic church.

All those who are baptized are called to the threefold priestly office of priest, prophet, and king. “The whole community of believers is, as such, priestly. The faithful exercise their baptismal priesthood through their participation, each according to his own vocation, in Christ's mission as priest, prophet, and king.” (CCC 1546) A father exercises his priestly role through leading his family in worship and desiring to pass on his love of the faith to his children. “In a very special way, parents share in the office of sanctifying "by leading a conjugal life in the Christian spirit and by seeing to the Christian education of their children." (CCC 892) He fulfills his role as prophet by teaching his children about the faith. “that is, the proclamation of Christ by word and the testimony of life." (CCC  905) Just as important as his priestly and prophetic offices is his kingly office. A father fulfills his kingly office by cooperating with his pastor to work towards the salvation of the souls of his family. (CCC 910)

From the very beginning of the play Bolt presents More as exercising his priestly role. Thomas More is called for one night by Cardinal Woolsey and must leave his home quickly. Before leaving, however, he exercises his priestly office, leading his family in their night prayers. The playwright includes in the stage directions the note that the “The More family, as a matter of routine, put their hands together.” (Bolt 15) More, Margaret and Alice then pray “Dear Lord, give us rest tonight, or if we must be wakeful, cheerful. Careful only for our soul’s salvation. For Christ’s sake. Amen.” (Bolt 15) Bolt makes it clear through his stage direction and the content of his prayer that More’s family is a family that has a habit of routine prayer which has led them to a comfort in addressing the Lord personally.

St. Thomas More acts as prophet or teacher to his family primarily through his example. Bolt demonstrates his example by clearly showing More’s saintly character. When the king comes to visit the More household, he arrives just as More is leaving his chapel after praying vespers, dressed simply. When Thomas is criticized by his wife for wearing simple cloths in front of the king, he does not admonish his wife. Rather he explains humbly as a teacher , his reason. “The service of God is not a dishonor to any office. Believe me, my friend, I do not belittle the honor His Majesty is doing me.” (Bolt 46) More, through his example and simple words, teaches a very complex lesson on the relationship between Church and State. Understanding the relationship between Church and State, he is able to effectively teach the lesson to his family through his example.

Bolt portrays More exercising his kingly power over his daughter who, in the first act of the play, desires to marry Roper, a heretic. Thomas makes it clear that he will not consent to the marriage until Roper returns to the Catholic Church. “Roper, the answer is “no” and will be “no” as long as you’re a heretic.” (Bolt 30) In refusing permission for his daughter’s hand in marriage, More, like a good king is looking out for the best interest of his subject, his daughter. Even when it is necessary for More to be stern, he still conducts himself as a Christian, he calmly rejects Roper’s request with an explanation, but does not demean Roper.

Bolt again shows More exercising his kingly character in a different way in the second act. More advises his then son in law, Roper, who had returned to the Catholic faith and married More’s daughter to be silent rather than commit high treason because he needs to look after his family. More here is demonstrated as having a proper relationship with his grown children and their families. Since his children have been raised properly he does not force anything upon them yet he still continues to offer his fatherly advice.

Bolt leaves no doubt in his audiences mind that More loves and cares for his family as any good father should. He goes to great length to show that More refuses to tell his family his exact views of the king’s petition to divorce and remarry. While his family surly knows his view, he refuses to state it so as to keep his family from being tempted to sin. By never telling them his view, they could still, in good conscience, tell government officials that they did not know his views rather than be tempted into sin.

It is surprising that an atheist had the ability to successfully portray St. Thomas More as a Catholic Father. The play A Man For All Seasons successfully demonstrates St. Thomas more exercising his role as priest, prophet and king in virtue of his baptism as he guides his family, the domestic church. Bolt’s play presents Thomas More as a Catholic Father. By reading this book fathers can find for themselves a model to follow for raising their children.


Bolt, Robert. A Man For All Seasons. New York: Vintage International, 1990. Print.

Catholic Church. Catechism of the Catholic Church. 2nd ed. Vatican: Libreria Editrice
      Vaticana, 2000. Print.

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